Let’s take a look at these famous director’s cuts over
history, and explore why it’s imperative that aspiring filmmakers study the
films the way they were meant to be seen.
So, you’ve seen the term “Director's Cut” tacked onto DVD releases or limited edition blu-rays over the
years, but let’s nail down what the term actually means. For consumers,
this term simply means more or less a longer version of a film that’s more
in-line with the director’s overall vision of the project. However, in industry
terms, a “director’s cut” is a direct term for the person who receives the
all-powerful “final cut privilege” for the ultimate approval of editing and
releasing a film. Historically speaking, it’s rare for a single director or
artist to have this powerful distinction, as studios have long held that a
film’s edit should have input from many, and ultimately, reflect the best
product to recoup its expenses. The term flows over from its film origins into
other forms of content and entertainment. It’s not uncommon to see “director’s
cut” versions of popular television or episodic programs, as well as music
videos, commercial content, or even video games.
As the stories behind the films and the appeal of watching
different, or more artistic, versions of films became more known, there have
been hundreds (if not thousands) of popular films to have famous director’s cut
versions released or infamously lost. Starting with the rumors and intrigue
surrounding Citizen Kane and continuing today, studios have long fought for
control. However, they also readily jump at the chance to re-release films when
audiences demand it. You can see a great example in the video above, exploring
multiple versions of Ridley Scott‘s
classic Blade Runner.
Interestingly enough, Blade Runner has two separate famous versions
with a “Director’s cut” and a “Final Cut” that’s newer. Both are regarded as
the true versions of the film.
If anything, watching a director’s cut of a film can be a
great case study into how a director’s overall vision juxtaposes against what
is probably the most commercial aspects of a project. Take Blade Runner, for example. The original
theatrical version made many decisions based on clarity, including voice-over (VO)
narration. It also wrapped things up with a closed ending, as opposed to a more
challenging, open-ended one. Does that actually make one version superior to
the other? Or, are they each reflection of different POVs in terms of the best
film to see? When you listen to famous directors talk about their craft, one
theme remains consistent constantly striving to improve and evolve their craft.
And, watching these director’s cuts, especially those retroactive to their
original intentions, is a great way to look at how their sensibilities might
change over the years.
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